Guntu Kaaram doesn't deliver on its basic promise: Entertainment, sighs Mayur Sanap.
'I don't know how long cinema will survive.'
The mental age of Fukrey 3's humour is the same as the ones who titter at number one-number two jokes. And this one certainly has more loo than laughs on its mind, observes Sukanya Verma.
When you leave the cinema hall, what stays with you is the message of inclusion and the need to stand up for your freedom, observes Divya Nair.
Pratik Gandhi's emotional range makes him a treat to watch while Vidya is as wild as she's wise, observes Sukanya Verma.
Anurag Kashyap whips up an engaging thriller and Taapsee Pannu delivers yet again, observes Namrata Thakker.
A feeble fable masquerading as a robo rom-com, Teri Baaton Mein Aisa Uljha Jiya aspires to address what unrealistic expectations in a relationship can lead to, observes Sukanya Verma.
Guruvayoorambala Nadayil is a no-holds-barred, silly comedy that will keep you glued to the screen even when the going gets tough towards the end but the smile on your face will not leave, observes Arjun Menon.
If you're a fan of the horror genre, give Adhura a watch because it will definitely give you the heebie-jeebies! recommends Namrata Thakker.
Yaatris works neither as a comedy nor as a family drama.
While Season 3 is no match to the previous seasons, it would be fair to expect there is a lot more for the season to reveal in terms of romance and suspense, observes Divya Nair.
The show takes its own pace to pick up, but then when you least expect, it grabs you by the throat, notes Aseem Chhabra.
If these six stories in Rainbow Rishta are any indication, then urban Indian society is moving towards a welcome liberalism, even though reality cannot be so simple, notes Deepa Gahlot.
'I was quite taken in by the adept handling of a simple (yet complicated!) subject and had my share of laughs and tears by the time the curtain fell,' observes Nitin Sathe after watching the superhit Baipan Bhari Deva.
So far, her appeal's limited to OTT but with Kesari 2, the 26 year old charms the big screen as well.
Rajkummar Rao and Adarsh Gourav get into the nutty mode easily and carry off the dark comedy without overacting, while Dulquer Salmaan looks bored, observes Deepa Gahlot.
Detective shows like CID did a better job than Gumraah of creating thrilling cases, observes Deepa Gahlot.
Aarya Aakhri Vaar should have been slicker and more polished than the first, or at least ended with a louder bang, observes Deepa Gahlot.
The Village starts off pretty well, but it required something more convincing than a bunch of creepy Gollum-like monsters to deliver the impact it should, observes Divya Nair.
The lives of the kids Deepa Bhatia portrays in the series are bleak, with small periods of sunshine when they get picked for an ad or serial, punctuating the longer periods of struggle, observes Deepa Gahlot.
Alaya F actually holds the film together, pulling out the right emotions required, and not letting the slightest scepticism leak out of those large, expressive eyes, observes Deepa Gahlot.
Dream Girl 2's understanding of womanhood boils down to her boobs, sighs Sukanya Verma.
Too bad the one time it is friendly to the environment, Tiger chooses to celebrate his Diwali with 'meetha' and not 'pathaaka', points out Sukanya Verma.
Article 370 is not as crude as some of the openly propagandist films made in recent times. It could at least open up a discussion on what is to be done to heal the wounds of the people of Kashmir, which years of shrieking TV debaters could not do, feels Deepa Gahlot.
'I am not playing someone's mother or grandmother just because a big director is offering a role. Believe me, I have many got such offers but they don't persuade me.'
Leo is a good entertainer with interesting twists you wouldn't guess, applauds Divya Nair.
The harum-scarum-ness of Kaala is astounding, exclaims Deepa Gahlot.
The play-off between Prabhas and Prithviraj is the high-octane fuel that lends Salaar momentum, observes Mayur Sanap.
What should have ideally been a slow-burn thriller pretty much turns into a game of predictive, uninteresting moments that simply delay the almost obvious climax, notes Divya Nair.
If you are looking for a fluffy rom-com without much pravachan, Kushi is worth a watch, recommends Divya Nair.
When an actor has worked for as long as Manoj Bajpayee, one tends to lose their sense of originality under the sheen of stardom. But the actor's versatility sparkles in his willingness to start on a fresh note every single time, applauds Sukanya Verma.
Aadujeevitham (The Goat Life) is undoubtedly one of the most successful experiments in Prithviraj's journey as an actor, applauds Divya Nair.
There is an authenticity and sense of purpose about Dry Day which is appealing, observes Deepa Gahlot.
Bhakshak should create some awareness and maybe raise some compassion towards victims of abuse, observes Deepa Gahlot.
800 gets so lost in celebrating its grand subject that it forgets something pretty elementary: Cricket is a team sport!, notes Sreehari Nair.
Coolie is expected to be an unabashed celebration of the larger-than-life ethos of Rajinikanth, predicts Arjun Menon.
Thematically riveting, but inept execution lets Kafas down, complains Mayur Sanap.
The first quarter has scored mostly flops, with just one blockbuster (Chhaava) and a smattering of those which have recovered costs.
Ariyippu is not a movie where you ask for a happy ending and you are served it on a platter. As situations change, the central characters conceal and display their vulnerability as any other real-life couple, observes Divya Nair.
Laapataa Ladies is gentle yet firm in calling out the hypocrisies colouring everyday mindsets and prejudices without acquiring the high-handedness of a crusader, observes Sukanya Verma.
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